12.22.2009


landed safely in the new city on a cold but snowless sunday night. the journey to the plane took four easy hours, by bus and by ferryboat. i smoked one roll up cigarette on the boat, drank a hot chocolate, and spoke on the phone to one of my absolute nearest and dearests, one who lives in the place i am leaving, until the boat went through the dead-zone pass where my signal fell dead and did not return.

at the airport the line-up to check in was wonderfully short considering the season, and when i had inched half-way to the front, a voice i’ve known since pubescence called my name behind me and i spun to see another of my nearest and dearests, who happened to be flying into the airport that i was due to fly from, and for the better part of an hour we drank coffee outside on a metal bench and smoked a cigarette each and did our best to excitedly quip and banter our way through a catch-up of the last six months of our lives. when our coffees were drunk and our smokes were smoked, it was time for me to go and my lovely friend walked me to the gate. we hugged and said i love you.

outside i had joked to him about how public transit often makes me despair of the human race, but actually from start to finish the journey was almost wholly filled with friendly, sympathetic creatures. even the boy at security who confiscated four bic lighters from my carry-on was amiable and gentle about the whole business. the woman with the metal detecting wand who had the pleasure of patting my entire self down (more action than i’ve seen in months) and aiding in the removal of my giant boots to check for weapons or bombs i guess, did so with humor and general good spirit. she complimented me on their multi-faceted usefulness.

the flight across country was an exercise in pain: on the way up my right ear buckled under the pressure of our fast ascent and until we came down, some four hours later, i was paralyzed by sharp paroxysms of pain throughout my sinuses, ear canals and even, seemingly, in the most sensitive nerve endings in my brain. there was no relief despite my savage, constant gum chewing and prayers to the universe to make it stop. couldn’t watch anything, couldn’t read anything, sure as hell couldn’t listen to anything; instead i sat hunched forward with my hands against my temples, the brim of my peaked cap pulled low over my wincing features, my legs bouncing in a desperate, unconscious plight to distract my synapses.

my ears are an old, faithful weakness of mine, going back pretty much to infancy. as a little kid i had ear infection after ear infection and finally had several small surgeries, to install tubes in the canals, to remove my adenoids, etc. in recent years their fallibility took on a new and rather more sinister form, and in the last 6 years the drums themselves have ruptured and burst apart in an agonizing, slow, unbearable process that culminates, usually after hours of screaming brutal pain, in a final burst that produces the worst sound i have ever heard, that of my eardrum’s soft and broken tissue tearing audibly, sickly, then all sound is removed and i am as deaf as a baby in a womb.

and so at the best of times i am wary of flights for the precise fear of those little drums giving out and spending the next five hours with no relief. the thought of a crash or terrorist hi-jack or explosion or wing falling off or oxygen failure never even comes across my mind.

i’m thrilled to report that on this flight of all flights, although the pain was terrible, the drums held strong and didn’t burst completely, and as the cabin decompressed with our slow descent into the city, the demon ear in question popped open and corrected again and in that beautiful instant all the pain was disappeared.

and if we are thanking the universe for small favors (as i am often wont to do), i must concede that if the ride was less than comfortable, at least the physical trauma in my canals successfully distracted me from what might have been an unbearably long and neurotic ride, with my heart and head as occupied as they were with this the culmination of the last few months of my life. an end to the aching, yearning frustration of a long distance lover; for on the other side of the frosted glass doors that separate baggage claim from arrivals was not only the glorious path to a life in a city that i have coveted for a long time. not only the tight and familial pack of oldtime friends with whom an existence in the same city limits i have wanted for years. and not only the magnificent scope of possibility that adorns any major physical and emotional move.

of course, i was thrilled to bits about all those things. but through a fantastical, delirious twist of events, also in this new city lives a person who in no time at all crawled into the deepest recesses of my heart and shook me down powerfully with a sweet and honest love the likes of which humbles my every notion of goodness and hope and potential between humans.

and here i am now, two days in, watching the golden set of the winter sun touch down across the glass and copper cityscape that sprawls around the cn tower like lesser giants, from the sheltered stoop of a brick, victorian duplex in the city’s west end. from inside the storm door a large and often ornery cat watches me with his cold, calculating peepers, shining with his dark thoughts as they so often do. and as i walked around in the dazzling, brilliant sunshine today, even the nature of the cold in the air, the smell of winter in this place, was utterly familiar and nostalgic and intoxicating to me. the way the shadows cut long and dark behind the skeletal trees in dufferin park, breaking up the rolling brown grass in sharp dilute.

and it seems to me that if this isn’t happy i don’t know what is.

adieu.

11.05.2009

don't mind if haiku






my brother’s sailboat:

up-ended, small, white.  reminds

me of ocean’s blue.  

10.25.2009

nostalgia trifecta: where the wild things are, fantastic mr. fox, alice in wonderland

"the best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours."
— Alan Bennett


a gregarious tip of my hat to spike jonze, he who has successfully interpreted and produced a beautiful, authentic, timeless film version of the classic children’s story where the wild things are. jonze kept things simple and unfettered, as they were in maurice sendak’s 1963 book of the same name; at just over 300 words long, the original doesn’t lend itself to complication.

but simple doesn’t mean boring, nor childish, and this is especially true in the case of this film. instead, wild things is a deeply sensory, dreamlike vision filled with golden hues, captured beams of sunset filtering through autumn woods and across the camera’s eye, magical landscapes and other-worldly design. the ethereal, effortless original score written and recorded by jonze’s ex-girlfriend karen o is in perfect emotional sync with the film: at times an exuberant, bouncing frolic on songs like rumpus and all is love, with a rollicking kids chorus in the background and swelling keyboards and smashing cymbals; other songs like igloo and worried shoes are guaranteed to balloon even the most calcified of hearts.



take a wee listen here:

http://www.imeem.com/karenoandthekids/playlist/MW0cdjqf/where-the-wild-things-are-soundtrack-music-playlist/


through the frosted glass of memory, my vision of where the wild things are, as i knew it in book form so intimately from my childhood, was strong in my sights and i prepared myself for the let-down that so often comes when trying to reconcile oneself with a new vision of something preternaturally ingrained into your softest, tenderest folds of perception and aesthetics. but every detail of jonze’s adaptation, from max’s wolf suit, crown and scepter to max himself, played thoughtfully and with depth and mischief by 12-year-old max records, to the wild things, played by actors in 8 foot costumes, was so extremely authentic to my nostalgic memory of the book.



and no coincidence, perhaps, since the costumes were designed and created by the jim henson company, those responsible for the original sesame street characters, the muppets and those creatures from 1986’s labyrinth. and no coincidence either, since the film was shot almost exclusively at golden hour, the first and last hour of sunlight every day. this lighting is soft and warm, and cuts the shadows long and sharp. as the sun comes onto the horizon, illumination comes directly from the sky; more blue light is scattered, casting everything into sumptuous reddish orange.



so, as i said, a gregarious tip of the hat to spike jonze: this movie joins the ranks of classics in my heart, nestled deep beneath the princess bride, the neverending story, beetlejuice, and so on: ones that manage childlike without being childish, ones that make your insides rise up with hope, ones that dive in deep to the purity and adventure of wild imagination. and soon wes anderson’s vision of fantastic mr. fox, one among the dozens of roald dahl stories that inform a great heaping deal of my writing, my sense of the universe, my sense of magic and of humor; and then tim burton’s alice in wonderland, out next year.

it suits my sensibilities just fine, both this mood for nostalgia, and an intense appreciation for my own simple, beautiful, hazy-eyed childhood.

10.24.2009

one of many gooduns.


dandy lion.
i love it.
the images at silhouette masterpiece theatre really scratch some itch in me. some are hit, some are miss, to be sure. but the hits are wildly satisfying, and even the misses are basically endearing. take a wee peek.


http://silhouettemasterpiecetheatre.com/

10.23.2009

miss brown to you


i first met miss emily brown years ago in a writing class, and some many months went by before i knew that she also moonlit coffee houses and bars with her stupendous musical talent. it is with great delight that i present this video of the diary of amy briggs, a song from miss brown's upcoming album, in technicolor.

music made for long sunday mornings in bed, for a drive along a country road in ontario in fall, for heartbreak and heartache, for delirium and joy and melancholy.

here is the incomparable miss emily brown. if you don't already have a crush on her, you will in three minutes.


Miss Emily Brown | The Diary Of Amy Briggs from A Story Told Well on Vimeo.


image: derrick belcham

video: a story told well

hell is an early morning dentist appointment




there are some jobs that always make me wonder. jobs like downtown commissionaires, eight hour shifts of fighting with people over their parking jobs. or plumbers, shoulder deep in other people’s rotten pipes. what makes people choose jobs like this? what do they get out of them? i really want to know.



it’s how i feel about the entire industry of dentistry, and i had plenty of time to reconcile my thoughts on the matter as i lay back on the chair for ninety minutes today in the early morning with my mouth jacked open, jaw aching, hands restless.

i haven’t been to a dentist in at least three years, so there was a lot of mapping out of uncharted territory to be done. my hygienist, andy, made careful work of it for forty-five minutes that felt like my own personal eternal purgatory. through the tinny stereo speakers, over the wet whir of the blasting hose andy was using to power-wash my molars, wynonna judd bleated out her insipid cover of foreigner’s classic i want to know what love is, and i began to fear that i would suffer an aneurism or stroke in that moment, lest the last moment of my life be a view of my hygienist’s face, masked to the eyes; the spray of my own saliva ricocheting warmly back onto my cheeks and chin, wynonna warbling faintly, and andy getting frisky with his needle-point and tenderly stabbing every inch of my gums. please universe, i thought, please don’t let this be how it all ends.

imagine!

when my mouth was sliced and shellacked, stripped and flossed, throbbing, and disgruntled to his liking, andy made me hold up a mirror and taught me how to floss properly. then he asked,
‘do you smoke? drink coffee, tea? red wine?’
i nodded.
‘all of them?’ he asked
‘my favorite things in life!’ i kidded him. his brown eyes stared at me unblinking above his blue paper mask.
‘they all stain your teeth,’ he told me.
‘right’, i nodded. ‘ok.’

i went back into the waiting room to kill time until the dentist could see me. i have to say, as waiting rooms go, this one beats most. the lighting is soft and natural, there are comfortable chairs, a plethora of juicy magazines and a large, wooden train set for the kiddies to tinker with. my doctor’s office waiting room makes me feel like i’ve fallen backwards into a peach-toned nightmare, where drippy songs like wynonna’s doozie play endlessly, just below fully audible so that you’re actually struggling to hear the shitty song you don’t want to hear anyway. the chairs are hard, and all the books, magazines and toys have been removed because of swine flu.

anyway.
it wasn’t long before a head popped out of the surgery door and called me back in. i assumed she was the dentist, never having been there before and her being decked out in head to toe blue scrubs. i was wrong.

‘i’m the dental assistant,’ she told me. ‘i’m just going to take a look at your mouth and take some notes and then i’ll get the doctor to come in, ok? how’s your day going so far? cold out there isn’t it! and the fog! i swear i never get used to going to work before the sun comes up. ok, so you’re not a flosser, haven’t been for a check up in three years, no pain, no sensitivity, right?’

i could barely muster a response and i’m sure a too-long moment passed before i collected myself. she had been speaking without breathing, as though she didn’t need to breathe, and it was a lot for eight in the morning under fluorescent lights.

‘right,’ i said. ‘yup.’
‘ok,’ she said. ‘well let’s get you laid back and i’ll take a little look for myself, ok? ok, how’s that? comfortable?’ all this was said with her fingers already in my mouth. i sort of tried to answer with my eyes and an impotent gurgle caught in the back of my throat.

‘any big plans for halloween?’ she asked.
i shrugged. ‘i uhn kno’.’
‘i know, me neither,’ she told me. ‘like, i don’t know, i was thinking about having people over because i just got a condo but to tell you the truth’, she lowered her voice conspiratorially, ‘my roommate’s stuff is all over the place. we just moved in. but i can’t have people over with it looking like that, i just can’t! how’s that feel? any tenderness there?’

she was jamming a rubber implement the parameter of a pool cue into my gum line. i found myself longing for andy’s somberness ; at least he knew about mutually beneficial silences.

‘unh hunh,’ i said, nodding gravely.

she took a note then put her fingers back in my mouth. ‘ok. ok. good. and because i live in this condo, it’s not like a lot of kids are going to come around for candy. i told this guy i’m seeing, i said, we should just go and get some candy in bulk and eat it ourselves!’ she laughed grandly, like a calibrated tinkle in my face. i smiled half-heartedly around her hands.

‘ok,’ she said standing up. ‘looks good. i’m going to go brief the doctor on your file. be right back!’


at this point my opinion of all those even remotely associated with dentistry were dead to me, lost for hope, irreparably damned. there were no clocks anywhere, i had no idea how long i’d been there, would i ever get out? why did these people want to hurt me? aliens? were they aliens? was i on the mothership? oh god, chest tightening, wheezing, i felt clammy and faint. panic began to set in. things almost got really weird, but then the door opened and this breath of fresh air breezed in with a genial, wide smile and shook my hand warmly. it was the dentist. she introduced herself and sat and chatted for a spell before gently lowering the chair and giving me dark glasses to wear against the glare of the overhead dome light hovering above our heads. this woman made love to my mouth with her instruments, then pressed her fingertips into my jaw gently on both sides and had me open and close, open and close, open and close.

‘you’re a clencher, aren’t you? a clencher or a grinder?’
‘yes,’ i said. ‘both i think. my jaw hurts when i wake up a lot.’
‘how much is a lot?’
‘once, twice a week,’ i said.
‘that’s a lot. ok. make a note to book a fitting for a bite-guard.’ she looked down at me. ‘i’m a terrible clencher. i wear a guard every night,’ she told me.

at the end of the brief, professional assessment, after she had fondled my jaw a little more, she had me stand up facing away from her so that she could see my posture.

‘you clench your jaw worse on the right hand side,’ she said. ‘so i want to see how your body is carrying other stress.’

i got up and faced the wall. ‘good posture really,’ she told the assistant behind my back. ‘but that right hip is held up higher than the left. same with the right shoulder, do you see that? which way does she tilt her head? to the right. ok. turn to face me.’

i spun and stood as straight as i could, squaring my shoulders and steeling my feet.

‘do you have good health insurance?’ she asked.
‘yes.’
‘ok, book yourself a massage, or a series of massages, every couple of weeks or so.’
‘really?’ i laughed. ‘you’re prescribing massages for my jaw?’
‘shoulders. you’re carrying all your stress there, and massages will help with the tension in your jaw muscles. you need to get it out a different way. you’re ok now, but it will get worse the longer you do it.’


my mother picked me up to drive me to work, and in the car i ranted like a lunatic about those sick cretins with their tools and saws and sharp floss and mimicked their ‘no smoking or drinking anything good’ buzz-killing lectures.

she admitted that she herself had also often wondered about them, dentists, but then, as per usual, she cut my ranting and raving with a sharper view.

‘but wasn’t she good?’
‘the dentist? yes. i liked her, actually.’
‘i always ask them how they ended up doing it, because i’m always curious myself. she came into it by accident. she had some sort of science degree and then didn’t know what to do and someone said go into dentistry or law. she picked dentistry.’

we took a curve turn onto yates and when the wheel had righted she continued, ‘the best answer i ever got was from a dentist in toronto. he said he liked it because it was all about problem solving; about pro-active maintenance. i liked that,’ she said. ‘i can understand that.’

i thought about how this dentist had studied my posture, shot the shit about seasonal affective disorder and vitamin d and gingers’ resistance to anesthesia, and talked about my mouth like a fine craftsman might talk about the ribs of a mahogany sailboat.



it should be said, my mouth is no mahogany sailboat—not by a long shot. dentists have been asking me about orthodontics since my adult teeth first pushed through, pell-mell and askew. when i was thirteen the talk became serious and my parents asked me straight up if i wanted braces. i was in the kitchen of our sunny country house, standing by the telephone. i thought about it for a few seconds, looked out the window at the yard, at my parents’ faces, then said no and picked up the phone to dial. they dropped it and that was that.

and now, at this point, i am who i am who i am, idiosyncratic though my smile may be, and almost always i could care less.

but the dentist, the fucking dentist, 90 minutes or longer with people’s hands in my gob, analyzing every crooked inch of my poor, sheepish chops. it reminds me that uncorrected smiles in people my age are rare among those that can regularly attend a dentist and whose parents could afford orthodontics in the nineties.

staring into a little mirror at my teeth is like being in one of those impossible nightmares i have about once a year where all my teeth fall out. those suckers just fall right out! bam. in the dreams, usually it happens when i am alone in an alley or a bathroom stall but moments away from seeing people i know, giving a speech, acting in a movie or about to kiss someone. one by one they just fall out and i collect them like marbles in my palm, glass skins rubbing uneasily together, even dislodged.


i got out of the car and walked up the block to the office where i spend my days. on the way into the building, i spied a navy-blue uniformed parking commissionaire coming up the street with her little notebook, chalking tire-lines and checking meters scrupulously. her long blond ponytail swished under a low-slung blue cap as she strolled from car to car.

in the lobby, as i waited for the elevator, i tongued my newly gleaming choppers and braced myself for another day. another dollar.

a lot of people would look at my job and wonder to themselves why anyone would choose it, this job that i came upon by accident, as with most all my jobs.

there is good and bad in it like any job, like anything. there are days that i feel as if one more person asks me to change the toner in the copier while sending a fax and fixing the coffee machine and ordering catering and implementing the first-aid defibrillator while smiling and bowing meek and grateful before the grave honor of it all, i will just go right off the deep end. i imagine loosening my tie, undoing the top buttons of my waistcoat, unburdening my desk of papers and debris in a flourishing sweep, jumping atop the pale-grey laminate, dimming the lights, grabbing a microphone and wailing out a caterwaul version of depeche mode’s personal jesus.

then there are days when i feel like a superhero; you need something done? who do you go to? this guy (points thumb at self). on these days i crack jokes to all the loiterers who come to shoot the shit around my desk. on these days i am an administrative force to be reckoned with, let me tell you. and not only that, but there can be pleasure in it too. there is gratification in constantly calling on one’s analytical skills to solve problems effectively, efficiently, creatively.

and after today’s ten hour workday, with my gums still pulsing from the investigations of three sets of prodding thumbs and forefingers, i have forgiven dentistry its crimes against me. that woman was a problem solver, and she took some kind of strange pleasure in it, and i can get on board with that. traffic cops i still don’t get, but they just be doing like we all do; another day, another goddamned dollar.

10.18.2009

top five albums of all time: this guy.


i've long been a watcher of signs from the universe. when i was small, i watched the rustling leaves and told myself, 'if those leaves move in the next five seconds, the answer to the question is yes.' sometimes i had to sit in the yard for an hour until i got the sign i wanted, but eventually there it was!

i've also long been a creature of extreme habit. i can't get out of bed unless the clock's last number is a 5 or 0. i always brush my teeth while waiting for the shower to run hot, and i eat my food symmetrically.

when i lived in glasgow, i walked down to the same turkish cafe every morning for a latte and an egg roll with tattie scone. i brought with me a newspaper, the independent.

in victoria, i walk around the corner to lady marmalade, order two eggs soft poached, potatoes, toast and fresh tomatoes, coffee and a cranberry juice, and read the globe and mail.

breakfast and a paper. breakfast and a paper. that sweet hour before the day gets up and goes, just me and a simple early meal and a crisp, thick newspaper.

it keeps me sane, half the ritual and half the act of actually doing. of sitting in a warm, steamy diner, eating some fresh good food, reading some good stuff, listening to the clink and clamour of the kitchen beyond, the whir of the bartender making espressos, mimosas, fruit smoothies and caesers.

and now, joy of joys, i find that lady marmalade has just opened up a toronto location! (898 queen st east 647.351.7645).

it might not be my everyday place, but i'm taking it's existence as a signal that all is right with the universe. salut.

10.17.2009

warning to immediate family: the words below have to do with sex and sexuality.



i do a lot of it alone, in my apartment. ain’t no shame. hawksley workman sings,

dancing is about sexual confidence,
so shake up your stuff if you feel good enough to let the moment just hit you,
if the music befits you.

and man alive, sometimes it hits me and befits me, and i crank up my shitty computer speakers to whatever song of the month gives me the most getupandgo, makes my hips want to keep time with the bass line, makes my feet get all twinkle toed and my arms fly up and snap and clap and hold above my head for long beats, and i dance my fool self into oblivion in my little bachelor’s suite.

i have also often reveled in the dancing-power of some of my nearest and dearest, former and immediate. i have half-fallen in love on many a dance floor, my hips impossibly close, impossibly well-fitted to another’s. the music swollen and magnificent, the sound at just the right level for frenzy, the crowd all pounding together to some insatiable rhythm. i have also watched with ill-concealed disdain as other people sully the good name of dancing as an expression of something, good, pure, natural. those flailers, those jerkers, those that use any open space at a bar with music playing as a platform for their drunken, thrusting sexuality; off-time, no rhythm, no soul behind it, only mindless movement set to any innocuous timbre.

still, dance and let dance, i say.

because for me, my ability to dance—however well or shabbily i might do it, and whether alone in my apartment or out at a crowded bar—is in direct correlation to the state of the union in my brain chemicals. that is to say, when my serotonin is wonky, the levels askew, so my steps are unsure, my lifeblood depleted, my limbs heavy and marbleized in immobility, and the notion of dancing is utterly unfathomable.

depression is the ultimate mojo-killer. in my own personal black hole, i am ugly, unattractive, stupid, wasteful, irrelevant, incapable of positive contribution to anything and completely lacking in natural rhythm. even my gait seems forced or troubled, my feet can’t land normally, everything about me has changed, and the memory of myself as a competent, confident, dynamic mover-about-the-universe is a gap-toothed, straggling bit of fluff in my mind, and i can hardly remember her at all.

in these times, there is no dancing.
there is none of the hopefulness or joy, or the flaming raging joie de vivre necessary for dancing. for me there is a lot of sitting, a lot of thinking, a lot of eating and drinking, a lot of smoking, not a lot of sex, some writing, some walking, zero dancing. there is agonizing self-doubt, visceral physical pain, and an all-dwarfing blackness of sadness and fear and loss and insecurity. in those times i can barely breathe the words, dance.



but always, always, the chemicals right themselves again—stop dropping and rising against my will, stop churning and fiddling with my everyday. my eyes open up, truly open up, without the clammy film of the black hole. i can speak and be spoken to and enjoy the words again. i can walk down the street and thank the universe for all that is good and plenty and all that is dark and shadowy because the grim doubt is mostly gone.

and always the way i know that the cloud has rolled on past, that i have been returned to my real self again, is when i find myself alone in my apartment, cranking up those tinny little speakers, pointing my fingers and waggling my hips, strutting and spinning, until i am breathless from it. when not only can i dance with wild abandon and fluidity, also i can again imagine my hips against another’s hips, rolling in time to some hot preternatural rhythm.

it's a glorious time.




The raven in the snow
Black punctuating white
In perfect phrase,
In perfect form,
At flight, the phrase, removed,
Leaves only
Light.


Image by Unknown
Words: © the raven in the snow, sarah frances lemay 2008

10.11.2009

roofbeams are the first to go




the air has changed, the sky with it too, and the colors of morning and the tones of the cooling sea. a change is upon us, autumn’s here, as we know it, another change among a bajillion daily changes.

i’m cleaning up shop again—purging my posessions, preparing to pack, culling the closet and shaving away all the extraneous debris that collects like barnacles as i live and breathe. i’m sitting in piles of paper: letters, official documents, notes to myself, a ten-point lifeplan drafted for me by my mother, a black and white portrait of my dead father—the same that we used in his memorial write-up in the globe and mail, the same that we blew up and framed and placed at the front of the hall where we held his wake, played jazz music, listened to a catholic priest say that all events had unfolded as they should, and my mother, brother and i all rolled our eyes.

my mother loves to purge: loves to dredge up all that lies dusty and unused and cast the rubble to charity shops and dumpsters. her homes—and there have been many: fifteen that i know about, eight that i actually lived in—are always exercises in devoted minimalism. she’s not a knickknack kind of a gal, nor does she collect objects, except paintings by her sister’s husband and china in her two favorite patterns. wood floors, white walls, books, stereo, television, art, simple furniture, non-existant clutter. this is what i understand a home to be.

despite a raging cull every time we moved house growing up, certain objects always made the keep list: the chapel-shaped wood-framed four-panel antique mirror, my father’s roll-top writing desk, a cement sculpture of a seated cat, the soft pine kitchen table, the three persian rugs, a painted portrait of my brother and i as children, a wicker laundry basket, and so on. and certain others have been picked up along the years: a brass beetle doorstop that my father loved and my mother hated, a horrifying wood-carved sign with our surname emblazoned across it, a birdbath filled with wishing stones, and what have you.

so it was that our constant moving taught me that a home is not a house, but that the certain things you take with you are important nonetheless.

so it is that in my adulthood i find that i have acquired my own set of saddlebags—the debris that i will not chip away from the hull, will gladly schlep from place to place, across oceans, across countries, town to town and back again. a flower from the garden of versailles, picked by the fingers of one of the people i love most in the universe—and also one that i have hurt the most. a framed black and white photograph of my grandfather as a young man, seated on a smooth stone at a summer’s picnic eating beans from a can. a lithe otter-tailed canoe paddle, a massive dictionary and thesaurus set, a troop of two-inch high ceramic animals, bunnies and geese and deer, collected by my grandmother, lined like soldiers along her window sill. my parents’ copy of khalil gibran’s the prophet, from which they took their wedding vows in december 1970. and journals: dozens of them, book after book since i was eight years old. the first was a tiny five-inch number, made of soft, pink plastic, with a close-up head shot of a ginger kitten in a white basket on the front. each page was fit with five short lines for each day, on which i would reverently record the weather, a fight with my brother and the cause, something said at school that day, and the like.

some are missing; where they are, i wonder often. i threw them away myself one winter, the last we spent in ontario. my mother was readying to move, and my brother and i were charged with getting rid of all that could be lost, lightening the load for her to ship our collected life to the other side of the country. i sat in the basement one night and opened up boxes filled with journals and wondered wether they were worth keeping. i opened one from when i was thirteen. i could have wretched with embarrassment at my own self—so stupid, so flailing, so desperate, so lost, so silly, so full of shit. and after ripping through the house, slamming things, making noise, exploding into raging tears then gentle sobs in my mother’s arms, i picked up an armload of the most vile of the records—those i wrote between the ages of thirteen and seventeen—and stuffed them in the trash bin outside.

recently at a dinner with eight members of my father’s family, my mother recalled that night to them, and told of how i had expected to look back on those pages and see the bloomings of a promising poet, writer, journalist, whatever. that i would see in that younger incantation of myself something bright and full of hope and spirit and at least a whisper of talent. instead i found only myself as a depressed, overweight, sexually confused, delusional, desperate adolescent; and not only that, but the writing was terrible. not a lyricism or literary insight to be found amongst those volumes of self-pity, angst and wretchedness.

besides the photographs and love letters, besides the ceramic menagerie and my brother’s copy of catcher in the rye, there are other stones that fill up my pockets, bits of life that are stuck fast to me, that i find follow me from place to place, apartment to apartment, town to town. like the feeling of rightness in the universe that followed kissing a girl for the first time, like the understanding that grew in me as i watched my father slowly slowly die, like knowing what it feels like to laugh truly from one’s belly, like the romanticism that lives in me despite all my jadedness. like the snatch of paper i tore from my haunted flat in glasgow, where a prior tenant had wallpapered the bathroom in the pages of crime and punishment, like the postcard i wrote to my grandmother when i was five years old that says ‘dear nana, i’m a good swimmer. love sarah.oxoxox.’

so it is that there are certain things i keep along the way. and prominent among them is that snowy night in ontario, when the total recognition of my own ineptitude was emphasized in high salut by my own words. there, immortalized, was the fabric of my being; ugly, naive, ignorant as it seemed to me to be, there i was revealed, forever in ink on paper. and it scared the living shit out of me. i threw those books in the trash, and god only knows where they are now, rotting in a landfill most likely, the words are gone now surely, the pages putrid in their leather binds.

funny then, isn’t it, that i should see fit to start this venture on the world wide web, setting down my feeble scratchings not just by the fundamentally impermanent medium of ink and paper, but in 1s and 0s for all in the cy-universe to see until the end of time.

so it goes.

that little pseudo-trauma in the snow didn’t teach me that it wasn’t worth it to write it all down anyhow. it taught me the opposite. it taught me that nothing, not even my sense of self, would go on being true forever, that nothing that i wrote in one moment would ever be the same in another moment, and so on. on and on about the nature of impermance in this fragile universe. on and on about knowing what to let go of and what to hold on to, what to forget and what to remember.

a lover of mine once fervently believed that one’s character was drawn directly from the fabric of their convictions. for her, to make noise, even if other people didn’t like to hear it, was better than any polite or nervous silence. this is among the many things i learned and kept in my pockets through my relationship with her. she is among the people i have known that reached their nimble fingers inside my chest and forever altered the chemistry of my softest, most important parts.

some of these people i will never see or hear from again, like the eleven year old girl that rocked my nine year old self on a swingset on the grounds of my brother’s baseball game. my mother was in the car reading a book, my father was at work, and i was soaring to the golden hour sky laughing and smiling with a girl that looked to me like an angel in the low lit summer night. that night, nine years old, i understood something fundamental about myself. or the night my father finally succumbed to the cancer and my mother and i stood at his bedside and just stared at his dead naked body in the moonlight, impossibly small, totally unrecognizable from his formerly sturdy, salt of the earth, stature. the forty five minutes we spent silent in the car as i drove us back to the hospice to see him. i fiddled with the radio but couldn’t settle on a song and there was no sound that could fill the silence of knowing he was dead, anyway. the way the moon was full and heaving white in the sky above us as i navigated his car down the lonely country roads. the way both of us could not believe he was dead, although we had been bracing for the moment for four and a half years. that night, twenty two years old, i understood something.

so it is that talent or no talent, knowledge or no knowledge, fiction or non-fiction, i’m going to just write it anyway. what did i know when i was fifteen? not a goddamned thing. what do i know now that i’m twenty seven? probably not a goddamned thing. what does anyone know when they’re any age? probably not a goddamned thing.

because despite my mother’s devout minimalism, despite my own grim experience with recalling former incantations of one’s self in gory detail, despite my total resignation to the fact that nothing stays the same, still i am never more truly enthralled or enriched as when i am trying my damnedest to nail something down with words. it’s a fool’s game really, like trying to catch a single drop from a free flowing faucet, but to do it is to find magic in reality, and to live with magic is to live properly. so then, even if everything i ever write i will think is wrong when i read it in the future, even if i will forever want to dump my former selves in frozen dumpsters, even if the only soul that ever hits this link is my own self, i’m going to write it out anyway.
because a change in seasons is upon us, the air is frosting over and the ground is freezing up. the leaves are pulling color into vibrant orange bloom and a winter is coming, followed by a spring. a simple change among a bajillion daily changes. i’m taking stock, holding up shiny fragments to a jeweler’s eyeglass, harvesting my goods. today, i’m here on this milk and honey island, with its ocean scapes and peacocks at the park. soon, i won’t live here anymore, and then.

5.31.2009


the Rape of the Holy Mother
Charles Bukowski



to expose your ass on paper
terrifies some
and
it should:

the more you put down
the more you leave yourself
open
to those who label themselves
"critics."
they are offended by the out-
right antics of the
maddened.
they prefer their poesy to be
secretive
soft and nearly
indecipherable.
their game has remained un-
molested for
centuries.
it has been the temple of
the snobs and the
fakers.
to disrupt this sanctuary
is to them like
the Rape of the Holy Mother.

besides that, it would also
cost them
their wives
their automobiles
their girlfriends
their University
jobs.

the Academics have much to
fear
and they will not die
without
a dirty fight

but we
have long been ready

we have come from the alleys
and the bars and the
jails

we don't care how they
write the poem

but we insist that there are
other voices
other ways of creating
other ways of living the
life

and we intend to be
heard and heard and
heard

in this battle against the
Centuries of the Inbred
Dead

let it be known that
we have arrived and
intend to
stay.